The work of Hamza Halloubi (Tangier, 1982;  lives in Brussels) bring together both personal and historical narration, both the factual and the poetic, using video as a fluid medium. In his works, very complex topics, such as the friction between official history and subjective narrative, exile and the relationship between art and politics, are addressed from a personal point of view. On the occasion of his solo show at the Museum Hermann Nitsch, videos made at different times create a new picture that flows into one narration, revolving around formal and more thoughtful questions.